Songwriters: Rudess, Jordan; Labrie, Kevin James; Portnoy, Michael; Petrucci, John; Myung, John
I never wanted to become
Someone like him
So secure
Content to live each day
Just like the last
I was sure I knew that
This was not for me
And I wanted so much more
Far beyond what I could see
So I swore that I'd
Never be someone like him
So many years have passed
Since I proclaimed
My independence
My mission
My aim
And my vision
So secure
Content to live each day
Like it's my last
It's wonderful to know
That I could be
Something more than what I dreamed
Far beyond what I could see
Still I swear that I'm
Missing out this time
As far as I could tell
There's nothing more I need
But still I ask myself
Could this be everything
Then all I swore
That I would never be was now
So suddenly
The only thing
I wanted
To become
To be someone just like him
II. Medicate (Awakening) (8:45-12:15) Lyrics by James LaBrie
A Doctor sitting next to me
He asked me how I feel
Not sure I understand his questioning
He says I've been away a while
But thinks he has cured me
From a state of catatonic sleep
For 30 years
Where have I been
Eyes open
But not getting through to me
Medicate me
Infiltrate me
Side effects appear
As my conscience slips away
Medicate me
Science failing
Conscience fading fast
Can't you stop what's happening
A higher dosage he prescribes
But there's no guarantee
I feel it starting to take over me
I tell him not to be ashamed
There's no one who's to blame
A second shot
A brief awakening
I feel the relapse
Can't break free
Eyes open
But not getting through to me
Medicate me
Infiltrate me
Side effects appear
As my conscience slips away
Medicate me
Science failing
Conscience fading fast
Can't you stop what's happening?
III. Full Circle (12:15-18:27) Lyrics by Mike Portnoy
[Isn't this is where we came in] [from Pink Floyd - The Wall]
Sailing on the seven seize the day tripper diem's ready
Jack the ripper owens wilson phillips and my supper's ready
Lucy in the sky with diamond daves not here I come to save the
Day for nightmare cinema show me the way to get back home
Again
[Running forward
Falling back]
Spinning round and round
[Looking outward
Reaching in]
Scream without a sound
[Leaning over
Crawling up]
Stumbling all around
[Losing my place
Only to]
Find I've come full circle
Flying off the handle with careful with
That axe eugene gene the dance machine
Messiah light my fire gabba gabba
Hey hey my my generation's home
Again
[Running forward
Falling back]
Spinning round and round
[Looking outward
Reaching in]
Scream without a sound
[Leaning over
Crawling up]
Stumbling all around
[Losing my place
Only to]
Find I've come full circle
IV. Intervals (18:28-19:56) Lyrics by Mike Portnoy
[Root]
Our deadly sins feel his mortal wrath
Remove all obstacles from our path
[Second]
Asking questions
Search for clues
The answer's been right in front of you
[Third]
We try to break through
Long to connect
Fall on deaf ears with failed muted breath
[Fourth]
Loyalty, trust, faith and desire
Carries love through each darkest fire
[Fifth]
Tortured insanity
A smothering hell
Try to escape but to no avail
[Sixth]
The calls of admirers
Who claim they adore
Drain all your lifeblood while begging for more
[Seventh]
Innocent victims for merciless crimes
Fall prey to some madman's for impulsive designs
[Octave]
Step after step
We try controlling our fate
When we finally start living it's become to late
Trapped inside this Octavarium
Trapped inside this Octavarium
Trapped inside this Octavarium
Trapped inside this Octavarium
V. Razor's Edge (19:56-24:00) Lyrics by John Petrucci
We move in circles
Balanced all the while
On a gleaming razor's edge
A perfect sphere
Colliding with our fate
This story ends where it began
@Bohema11: If you listen VERY closely to the "Intervals" section, you can hear brief sound clips from each song playing in the background as he speaks each "step" of the scale... it's exactly as you described it. Each "step" represents a song from the album. ;)
In interviews, DT have stated that the "Medicate" section of the song was inspired by the Robin Williams film "Awakenings," which in turn was based on real-life events. The common thread between all 3 stories is that they feature a doctor using a drug to bring a patient out of a longstanding coma, only to have the patient relapse shortly thereafter.
And yes, in the end, it ties back to the overlying Octavarium theme: "The story ends where it began;" in this case, the story ends with the patient relapsing into the coma they had been pulled from.
Look at the songs in order on the album and compare them to the Intervals Section:
Our deadly sins feel his mortal wrath... (Root of All Evil)
...The answer's been right in front of you (The Answer Lies Within)
We try to break through... (These Walls)
Loyalty, trust, faith, and desire... (I Walk Beside You)
Tortured insanity... (Panic Attack)
...Drain all of your lifeblood while begging for more (Never Enough)
Innocent victims for merciless crimes... (Sacrificed Sons)
...When we finally start living it's become too late (Octavarium)
A good writer doesn't intend for one to only interpret a single meaning from their lyrics. The same goes for anyone, whether writing, speaking, or illustrating, one intends to allow the observer to derive several meanings from just one sentence. Notice how many metaphors pop up in just one DT song.
My interpretation of the beginning:
Growing up - As a child or young adult, people tend to view the lives of their elders as a life they would not enjoy. They don't understand how people can live each day like the last, content and fully aware of it being the same.
Realization of what you will become - One tends to accept their fate when they see it coming, I'm 24 and I can say that I have accepted death, old age, and loss, but I have not yet completed this stage... In due time...
About Medicate:
It may be difficult not to get a lot of different meanings from this one, as it seems to be one big metaphorical circle. I picture the doctor as my conscience, and the medication is my harmony with life. As I harmonize with life, I realize that it is not a cure for me, as human desire seems to be infinite, but it is the only thing I know so I go with it.
I think for them it was purely related to a drug addiction, possibly prescribed medication, maybe therapy even, but I have not experienced their lives so I cannot say how it was meant to be portrayed.
About Full Circle:
It could be about recovering from an addiction, and it could be about falling back into one again. It sucks but people tend to keep going back to something even after seeing how much it hurt them before. It's hard to say but I think this was meant to be the realization stage of an addiction. Possibly the one stated in medicate. Maybe the doctor they were talking about was alcohol, but like I said, they use a lot of metaphors to leave the interpretations up to the observers.
Intervals:
I don't want to go over each one, but this is the prime of the metaphors, and all eight are capable of so many different interpretations that I don't have time to go over each one.
I think about the finally start living it's too late part, which takes me back to the beginning, where he realized that he wanted to be someone just like the person who he had not wanted to become. The idea is that people have everything they need to be happy, yet they don't realize it until they are older.
Razor's Edge:
If the rest of the story doesn't tie together, this part seems to do it for me. - He keeps trying to be different from the rest, but keeps going around in a big circle, of realizing that it can't be done. We are doomed to ride the razor's edge for eternity.
I think it's about a concept, the idea that everything ends where it begins. The opening storyline is about a man trying to be like people of the past... then it continues to the storyline of a man waking from catatonic sleep, then falling back into it. It continues with similar ideas, of the end being the beginning (or the beginning being the end)
It's about the album, about life, not about a continuous storyline (at least in my opinion)